Late in the morning of August 27, 1466, a small group of horsemen left the Medici villa at Careggi and turned onto the road to Florence. It was a journey of three miles from the villa to the city walls along a meandering path that descended through the hills that rise above Florence to the north. Dark cypresses and hedges of fragrant laurel lined the road, providing welcome shade in the summer heat. Through the trees the riders could catch from time to time glimpses of the Arno River flashing silver in the sun.
The book is the biography of one of the most influential culture patrons, statesmen and diplomats of Renaissance Italy: Lorenzo de Medici, leader of the Italian cultural lighthouse, Florence, at the end of the 15th century. The well-researched volume follows not only the life of Lorenzo, but also his Medici predecessors, the organisation of the Republican city, contemporary poems and pictures from Lorenzo and his friends, and the geopolitical situation of the peninsula during those decades.
Living only 43 years, Lorenzo left a strong legacy for his diplomacy (keeping the balance between the factions of the Italian peninsula), wisdom in state affairs (keeping his beloved city prosper), but foremost, for a patron of arts than influenced world for centuries (making his house and Florence a cultural beacon for sculptors, painters, Antiquity readings and memorabilia, poets) and even as a university founder (University of Pisa).
Lorenzo de Medici made the very best of the large resources of his disposal, when Italy was still the center of the banking and trading world. Soon, the discovery of Americas (1492), the pressure of the Ottomans (conquering Constantinopole and later Otranto on the heel of the peninsula) and the larger resources of the more populous states around Italian lands (France, Holy Roman Empire) significantly cut from the available Italian resources.
Additionally, his legacy of wisdom, diplomacy and statesmanship was probably influential in raising the next de Medici generations, which became Popes (Leo X, Clement VII) and royals (e.g., Caterina de Medici, queen of France).
As the author, Miles Unger, notes, it is remarkable for a city of only 50,000 people to be the center of cultural world for decades, bringing the best of artisans and art within their walls. The strong free spirit of the Florentines, their trading prosperity reinvested in art, their republican traditions – all played in creating an effervescence where art and beauty could grow, without going into excesses. Short-lived, the century of prosperity for Florence created such a strong legacy and new benchmarks in beauty and art that could never be unseen.

I really enjoyed the book, although the imagines and notes were not well functioning on the e-reader. I liked the deep analysis on why Lorenz acted they why he did, and what was the state logic he followed. I was not very keen on the poems from the era, or the long descriptions of his Lorenzo’s or his friends art physiology. Overall, a great biography of a fascinating character.


















